Monday, March 31, 2025
Greenland Isn't Green
Saturday, March 29, 2025
The Last Supper (The Movie)
I have not fully followed The Chosen, the first-ever multi-season TV series about the life of Christ. I have watched just a few episodes from the first season. But yesterday I went to the theater to see the latest episode, The Chosen; The Last Supper, Part 1.
The series itself has gotten great reviews. From what I have heard from others who have followed it more faithfully, for the little I have seen myself, and finally from watching this in-theater episode, it is certainly impressive. The series is beautifully filmed, conveying a real feel for what the world of the New Testament - at that very specific place and time must have been like. It illustrates first-century Jewish life, which we Christians need to appreciate as much as possible. It also illustrates what kind of dramatic affect Jesus had on people's lives, people whose lives which until then had been otherwise ordinary but were suddenly being dramatically challenged to transformation through their experience of and relationship with Jesus.
As I remarked in regard to the current series House of David, one of the problems with dramatizing biblical narratives is that there is a lot of space to fill in with what must inevitably be made-up events, stories, and even characters. In the case of House of David, the downside of this is evident in the effort and amount of fictionalization required required to fill eight episodes with only three chapters of the biblical account. The latest episode seemed totally like a forced attempt to make up enough to fill in the time so as to get in one more episode. I haven't seen enough of The Chosen to be certain that this series avoids that pitfall. What I have seen suggests it is doing a more interesting job of filling in the spaces between actual biblical events.
That said, The Last Supper, Part 1, is really more about the first few days of Holy Week than about the Last Supper itself, which is only shown in intermittent excerpts of Jesus' Last Supper Discourse. The highlights of the evening (e.g., the foot washing, the Eucharist) are presumably being saved for a later episode. Instead of the Last Supper itself, this movie is about the triumphal entry into the city on Palm Sunday and the cleansing of the Temple (which the Gospels suggest occurred right away, but which the movie makes happen a day or two later). Both are well dramatized, and both are preceded and followed by fictionalized events that seem intended obviously to fit in with the bigger events and help interpret them (for example, the Gentiles from the Decapolis perplexed reaction to the Temple commerce and their wonder what Jesus would think of it).
This is the season for biblical dramas - especially passion plays. The Chosen; The Last Supper seems to do a better than average job of filling that niche of seasonal expectation, with something that definitely invites us to put ourselves into the story and imagine personally how Jesus' activities impacted his surroundings and what they are meant to mean for us today.
Thursday, March 27, 2025
Abundance (The Book)
Tuesday, March 25, 2025
77
Sunday, March 23, 2025
What's Going On?
“Why do bad things happen to good people?” Some of us here are old enough to remember that as the title of a popular 1980s best-seller. Long before then however, as today’s gospel [Luke 13:1-9] suggests, this was a perennial problem and an endlessly asked question.
Since even Jesus in today’s Gospel avoided answering the questions directly, neither will I be so presumptuous as to attempt an answer here. Jesus’ refusal to speculate why bad things happen to good people in life – or, for that matter, why good things happen to bad people – appears almost as enigmatic and mysterious as God’s answer to Moses’ somewhat impertinent insistence on asking God’s name [Exodus 3:1-8a, 13-15]. God reveals himself not through philosophical and moral speculations about what is going on in the world but by otherwise unforeseen personal initiatives. Maybe I Am merely means that God exists, as opposed to false gods who do not, and was God’s way of telling Moses that some things about God that are just mysterious, as if God were saying, “I am who I am and that’s all you need to know.” Maybe that’s why the real Moses (in contrast to the famous 1950s movie’s Moses) refrained from asking God the obvious question, why it has taken God so long to react to his people’s suffering in Egypt and hear their cry of complaint.
On the other hand, God is obviously showing personal interest in his people’s problems. Moses may not have asked, but he may still have wondered why they had to have those problems. Well may we wonder as well. Likewise, those anonymous some people who told Jesus about the Galileans whose blood Pilate had mingled with their sacrifices may well have wondered why good Galilean pilgrims on pilgrimage in Jerusalem had been killed by Roman soldiers. And why, for that matter, had 18 innocent people been accidentally killed when the tower at Siloam fell on them?
The last example reminds me of Thornton Wilder’s famous 1927 novel, The Bridge of San Luis Rey, which revolves around seeking some connection among the apparently random victims of a bridge’s collapse – in the hope of explaining why they, in particular, died instead of someone else.
Of course, no one needs to read a novel to find plenty of comparable examples in real life, which is full of natural disasters and as many multiple tragedies and injustices of human making. All these things inevitably inspire people to wonder. Could it possibly be that we, whose lives have so far been spared, who are lucky to live lives of affluence and abundance, are somehow more worthy or deserving or virtuous than those who haven’t been so lucky? The question itself seems absurd and maybe morally repugnant. The very universality and randomness of so much human suffering would seem to rebut the logic of any explanation, even if our all-too-human desire to impose some order and logic on the apparently arbitrary randomness of so much of what happens causes us to engage in such speculations in the first place.
As if to pre-empt any such speculation, Jesus just rejected it out of hand, telling us, in effect, don’t go there. Focus instead, he seems to be saying, on where we do have agency, particuarly on our universal need for conversion and repentance. By becoming one with us in the burning bush, by becoming one of us in Jesus, God has, so to speak, agreed to meet us where we are at. But where we are at, Jesus warns us, may not be such a good place after all. Hence his parable – simultaneously so comforting and so threatening – of the unproductive fig tree.
Now most people would probably agree that the whole point of cultivating a fig tree is to produce figs. A fruit-less fig tree hardly warrants the work involved in cultivating it year after year. If there were ever an obvious application for the slogan “three strikes and you’re out,” this would seem to be it. After all, how likely would it be that, after three fruitless years, yet another year’s effort might make the tree bloom at last? Not much!
Yet the gardener in Jesus’ parable is willing to give it one more try. Sir, leave it for this year also, and I shall cultivate the ground around it and fertilize it; it may bear fruit in the future.
To us, impatient people that we are, the thing to do with an unproductive tree would be to stop wasting soil and effort and just cut it down. But God patiently postpones cutting us down. He gives us extra, even lavish attention, cultivating and fertilizing us, revealing himself to us more and more clearly, and more and more fully, through Moses and others, finally sending us his Son as his final and fullest revelation of himself, his final and fullest expression of his patience and mercy, the one piece of really good news in our otherwise dismal history.
As this saga of God’s long-lasting mercy toward the human race reveals so dramatically, amid the world’s cacophony of otherwise bad news and in spite of all that is wrong with the world, God has been opening up new perspectives and opportunities and has been incredibly patient to us in spite of everything. The challenge, however, is that, while God’s patience and mercy may be infinite, we are not. The world may be in a mess, but meanwhile we have to avail ourselves of God’s limitless patience and mercy in the inevitably limited time each of us has.
Lent is our annual reminder, our annual wake-up call, challenging us to bear fruit in spite of everything else that seems so wrong right now, to put God’s patience and mercy to good use – right here right now.
Friday, March 21, 2025
A Frighteningly Contemporary Crime Drama
Adolescence is a powerfully gripping (and at times somewhat emotionally frightening) four-episode British mini-series recently released on Netflix.
Episode one begins with the shocking arrest of a 13-year old, Jamie Miller, at his seemingly peaceful and ordinary family home early one morning, on suspicion of murder. Jamie claims to be innocent, and continues to protest his innocence through the horrifying experience of arrest and questioning at the local police station. Most of the episode seems set up to make the audience sympathize with the traumatized young Jamie and his terrified family. Not only do we want to believe in Jamie's innocence, but the dramatic expectation built into this kind of crime drama normally leads one to expect - even as the evidence against Jamie accumulates - that at some point the case could collapse and someone else's guilt will be uncovered. Jamie meanwhile desperately wants his father to believe in his innocence, as if that could undo what has happened and, so to speak, fix the situation. Only in the second episode, set three days later at Jamie's school, when the detectives try to gather evidence (and perhaps the murder weapon) from Jamie's unruly schoolmates, do we begin to realize that this is not a typical "whodunit," and that the drama is less about who committed the crime than about why it happened. Meanwhile, at the school (an "academy," with lots of stairs, where students wear uniforms and generally behave badly), we are introduced into a really frightening world where teenagers appear to live primarily on-line, a world which adults (police, parents, and teachers) all seem incapable of comprehending.
Episodes three and four take place respectively seven and thirteen months after the crime. The interesting minor characters (and sub-plots) we have been introduced to in the first two episodes, about which we might expect to see and hear more (like the story of the detective and his son, a student at that school), disappear. The tone changes dramatically from the more typical crime-drama of the first two episodes. Now that we know what happened, we are supposed to focus on the reasons why. Thus, episode three depicts the (now incarcerated) teenager's interview with a psychologist assigned to prepare a report on him for the judge. Their conversation continues and highlights a terrifying world of adolescent on-line and in-person bullying and male sexual obsession, that was earlier alluded to already in the second episode. In the course of episodes two and three, we learn about some of the factors that apparently contributed to Jamie’s crime, such as his extreme lack of self-esteem, his experience of being bullied at school, and especially the on-line world's mixed messages about masculinity and the fear of being labeled an "incel." Then, the final episode, set over a year after the crime, focuses on Jamie's parents and sister and how they have coped with this family crisis and the inevitable feelings of recrimination and guilt which these multiple tragic events have left them with. There are no family secrets to be uncovered (as one might be tempted to expect there will be), just seemingly ordinary people experiencing sadness and regret over something that can no longer be fixed.
This is a very difficult series to take in. It is depressing and at times shocking. It invites us to examine what kinds of messages contemporary on-line culture may be conveying and how such messages may further complicate the already chaotic challenges of growing up unsure of who one is or whether one is valued. It also challenges contemporary society not only about what boys may experience but also about how society should respond and better enable them to to navigate through this increasingly toxic and dangerous world of masculine expectations and pseudo-expectations.
Wednesday, March 19, 2025
The Leopard
Several years ago, when I was still in Tennessee, I read The Leopard (Il Gattopardo) a wondefrul novel by Italian writer Giuseppe Tomasi de Lampedusa, which chronicles the changes in Sicilian life and society during the Risorgimento that resulted in Sicily becoming part of the newly unified kingdom of Italy. The author was the last in a line of minor Sicilian princes, and he based the novel on his great-grandfather, Prince Don Giulio Fabrizio Tomasi. Published in 1958, it became one of the top-selling novels in Italian history and is regarded as one of the more important novels in modern Italian literature. Lampedusa's elegy to fading Sicilian aristocracy has sometimes been compared to Gone With the Wind, in its intimate, familial portrayal of a certain type of society doomed to give way to modernity, in this case in the form of the unified kingdom of Italy in the 1860s. In 1963, the novel was made into a film, which I have not seen. Now, however, it has reappeared as a series on Netflix.
Probably the book's most memorable sentence is “For things to remain the same, everything must change.” The story, both in the book and in the Netflix series is ultimately all about the process of socio-political change (in this case Italian unification), who benefits (and who doesn't), and the toll the process takes on everyone, both those who adhere to the old and those who fight for the new.
Like the novel, the Netflix series starts in 1860 with Garibaldi's Redshirts invading Sicily to overthrow the Bourbon monarchy and (eventually) unite Sicily and southern Italy with the northern Italian Piedmontese kingdom of Sardinia ruled by Vittorio Emmanuele II, who in 1861 will be proclaimed king of a united Italy (which at that point still lacked Austrian ruled Venice and papal ruled Rome). The series alludes to these political events and their consequences, but it is mainly their consequences as experienced by a small group of central characters centered around Don Fabrizio Cordera, Prince of Salina, his wife and children, most especially his daughter Concetta, his favored nephew Tancredi, who fights for Garibaldi and then becomes an official in the Turin government, and is at various time sin love with Concetta, but marries thr mayor's rich and ambitious daughter Angelica.
The series compresses the story, which in the book ends with Concetta's retrospectives as an old woman in 1910. In the Netflix series everything (including Concetta's later recollections) takes place in real time in the early 1860s. It ends with the Prince's death, which effectively symbolizes the end of the old society although aspects of it (including the family's continued rule over its lands) do continue even under the new regime.
The series deftly combines the social and political changes the Prince and his fellow Sicilians are forced to adapt to with more personal familial crises which transcend the immediacy of politics. The three-way love entanglement of Tancredi, Angelica, and Concetta is simultaneously a time transcending familial crisis of love, affection, and loyalty, as well as also a parable of the changing mix of confusing affections and loyalties that accompany social and political change.
All this Netflix does in the most visually beautiful and engaging manner. One feels as well as sees the beauty of the Sicilian landscape, the grandeur of the life stye of its aristocracy, the increasing tensions in society and Church, and the growing attractiveness of the new Italy. The Netflix version of The Leopard combines the book's timeless love story and historically specific social and political conflicts with a gorgeous sensate display that effectively reflects Sicily's natural beauty and its historical problematic of attraction and repulsion.
Photo: Cover of the first Italian edition of the book (1958).
Monday, March 17, 2025
O Canada!
Saturday, March 15, 2025
House of David
House of David is an 8-episode series that retells the biblical story of King David's rise from youngest son (stuck tending the sheep) to King of Israel. Its first three episodes premiered on February 27, and season finale will be on April 3. Already in its first week, this series reached second place on Prime's most watched list.
Any retelling of the biblical story of David could easily be done in a few episodes, certainly in a single season at most. So, as with all such attempts (e.g., The Chosen) dramatization demands fictionalization, filling in the gaps in the story with imagined additional developments in the lives of the characters - and indeed with imagined additional characters. Season one starts with Saul's disobedience of Samuel after his victory over the Amalekites and will end (so it appears) with David's defeat of Goliath. That is all of just three chapters in the first book of Samuel. So, obviously, narrative engagement requires considerable additional amplification of the biblical account. In itself, this is perfectly legitimate. In theory, this allows more in-depth character development, helping the once universally familiar biblical story become more fully accessible to contemporary audiences.
On the other hand, the series, while well produced and visually appealing, may (in my opinion) perhaps go too far in amplifying the biblical account, adding questionable elements not only without any obvious basis in the story (e.g., David's illegitimacy) but also explicitly contradicting the biblical story (e.g., the death of David's mother when he was a child, which explicitly contradicts 1 Samuel 22:3-4). How dramatically helpful such dubious additional aspects are may be debated, but I think it may be a mistake when the biblical account is explicitly contradicted or obviously distorted.
Again, while the series is generally well done dramatically, it may test the patience of anyone who knows the actual account and wonders when it will finally get around to those exciting events themselves. In the four episodes aired so far, we have seen Samuel's rejection of Saul and alternative anointing of David in secret, followed (as in the actual account) by Saul's being tormented by an evil spirit and the summons to David to attend Saul and play the harp for him. Everything else in the series so far is made up - including the fact that Saul's daughter is presented as instrumental in bringing David to the king's court. The series seems to want to make more than may be warranted out of the romance between David and Saul's daughter Michal - including (contrary to the biblical account) anticipating the romance by initiating Michal's attraction to David well before David's defeat of Goliath. Given that David's first marriage will in fact be neither happy nor dynastically significant, this seems a somewhat strange choice, unless, of course, it was simply deemed dramatically required to highlight a romance as a necessary condition for accessibility to a contemporary audience. The hero has to fall in love and be seen at least in part as motivated by such!
Be all that as it may, the numerous fictional sub-plots (including a story about Saul's unsatisfactory second son Ishbaal) makes me at least a little impatient for the series to get on to the (what I would consider) much more compelling drama of the actual characters from the actual biblical account. If the series ultimately falls short in my estimation, it may well be because it goes so far in focusing on minor characters and their fictional sub-plots rather than emphasizing the very real drama inherent in the primary figures in the story.
Still, the series is well worth watching. It manages to depict, in an apparently convincing way, what life at that place and time (c. 1000 BC), in such a society so different from ours, may have been like. Moreover, in its own roundabout way, it does seem to highlight the biblical account's fundamental theme of God's election of David and providential purpose for him in Israel's history (and, hence, in salvation history).
Thursday, March 13, 2025
Five Years Ago
Wednesday, March 12, 2025
The Lesson of Nineveh
Once upon a time, the ancient Assyrian city of Nineveh was the largest city in the world. On the eastern side of the Tigris, right across the river from the modern Iraqi city of Mosul, its ruins still remind us of its onetime greatness.
It was to that enormously large city, which it took three days to go through that our great Lenten preacher, the prophet Jonah, once went preaching repentance. To this day, some of the ancient Churches in the Middle East commemorate Jonah’s mission with a three-day fast, called the Fast of Nineveh. And, until 11 years ago, among the ruins of Nineveh was a shrine (photo) believed to be the site of Jonah's tomb, revered as such by both Christians and Muslims, a popular place of pilgrimage – until ISIS briefly conquered Mosul, expelled its Christian community, and destroyed Jonah’s tomb as part of its campaign of destruction and desecration.
Jonah’s mission and Nineveh’s repentance were already ancient history by Jesus’ time, when Jesus himself cited it as a warning to his contemporaries – an evil generation, that seeks a sign, but no sign shall be given it, except the sign of Jonah.
Likewise, the Lenten liturgy returns each year to this story of Jonah – because, after all, what generation isn’t evil, what generation doesn’t seek a sign, and what other sign is there for every generation to remember and relive but the sign of Jonah?
Lent is the Church’s annual wake-up call to take to heart the preaching of Jonah, as did the hard-hearted king and people of Nineveh, and to join with them in the ashes of repentance – so that, through that simple movement of letting ourselves be turned around by the power of God’s word we may experience that change of heart which we call conversion and repentance, and so we too, like the king and people of Niniveh, may find the forgiveness that brings life.
Homily for Wednesday of the 1st Week of Lent (Jonah 3:1-10; Luke 11;29-33), Saint Paul the Apostle Church, NY, March 12, 2025.
Sunday, March 9, 2025
Lent in a Time of Moral Helplessness
It is almost axiomatic that the more authoritarian and/or distant a government or society seems to become in the experience of its citizens, then the less actively engaged and effective will those citizens' experience likely be likely. This was illustrated somewhat in the ineffective-to-silly behavior of Democrats at the recent Presidential Address to Congress. Some absented themselves entirely - the ultimately passive disengagement, which demonstrated their complete and utter powerlessness. Of those who attended, some seemed to sit on their hands, failing to applaud even at the sorts of feel-good stunts that traditionally get widespread applause. Some wore silly outfits. Some held silly little signs, which might have caused them to be mistaken for bidders at an auction. And, of course, one congressman stood up and waved his cane to protest the Administration's possible cuts to Medicaid. That was, by the way, the only mention of the impending threat to Medicaid that whole evening! Of course, the congressman's futile gesture just got him thrown out of the chamber and then officially censured a few days later (a censure supported unbelievably by 10 Democratic votes). The irrelevance and ineffectiveness of such stunts is really quite breathtaking. The obvious reaction to such silliness is why did anybody bother?
Why does anybody bother? Moral helplessness is a real thing. People who might otherwise feel compelled to care about the condition of the world and the sorry state of our society sense that they are failing to make a difference and are helpless to accomplish anything beyond expressing outrage, which in turn degenerates into a sort of mere virtue signaling, which in turn further highlights their moral ineffectiveness and helplessness.
From the start, Christians have lived under inhospitable regimes - some extremely repressive, many much less overtly so (more something like some 1960s notion of "repressive tolerance"). Modern societies have unique capacities for overt repression, but also - more challengingly - are increasingly capable of a more subtle sort of repression, which simply isolates would-be citizens and reduces them to ineffective and helpless consumers. The 20th-century provided abundant examples of such regimes, in which it was quite possible to live from day to day, disengaged and passive but hardly persecuted or repressed in any plausibly recognizable sense of that word. (I had relatives who lived for a time in Fascist Italy, for example, a society which for many - at least prior to the war - appeared sufficiently satisfactory to live in, but one which fostered political apathy and moral helplessness.)
Active or apathetic, however, political citizenship can never completely express who we are - not, that is, if who we are, first and foremost, is disciples our one ultimate Lord, Jesus Christ, who as we hear again in today's Gospel reading (Luke 4:1-13), reprimanded Satan, reminding him, You shall worship the Lord, your God, and him alone shall you serve.
In out utilitarian world, we inevitable measure ourselves by our power, by our effectiveness. That is the significance, of course, of the Gospel's temptation scene, with its terrifyingly inviting image of all this power and glory of all the kingdoms of the world.
Of course, there is nothing inherently virtuous about being ineffective. There is nothing commendable about being unable to improve the condition of our world or the sorry state of our society. The challenge is to rediscover what may matter more than all the power and glory of the kingdoms of the world.
In the immediate term, one challenge is to discern how one can advance the kingdom as a disciple in the contexts - family, work, neighborhood, etc. - in which we are called to play a part for the better, utterly regardless of how powerless and ineffective we may be on the larger social stage.
It may be that the more constricted the area in which one can act, the less effectively helpless one may become.
Friday, March 7, 2025
Be Religious! Really?
Ross Douthat, a New York Times opinion columnist since 2009, has been the author of multiple books on diverse subjects, including books on religion - notably Bad Religion: How We Became a Nation of Heretics (2012) and To Change the Church: Pope Francis and the Future of Catholicism (2018). His latest such venture - this one of a quasi-apologetical nature - is Believe: Why Everyone Should Be Religious (Zondervan, 2025).
The context for this effort is Douthat's impression that, at this juncture, many seem "to experience secularism as an uncomfortable intellectual default, not a freely chosen liberation." His response - his style of apologetic, if you will - is to "begin with the basic reactions to the world that lead people and cultures toward religion, and argue that these are solid grounds for belief - indeed more solid that was apparent at earlier stages of modern history and scientific progress."
Accordingly, the first part of the book agues that, contrary to the once assumed trajectory of the modern secularization thesis, "the scientific revolution has repeatedly revealed deeper and wider evidence of cosmic order that what was available to either the senses or the reasoning faculties in the premodern world." He goes on to argue, for example, that "to acknowledge a point of origin, to recognize a moment of creation, makes it intuitively more likely that the universe as we know it now has some specific importance to its creator - that any divinity isn't just perpetually emanating or sustaining space and time, but using them to tell something we would recognize as a story."
As a person of faith, I, of course, am gratified by these insights. Obviously, I agree with the overall conclusion that faith makes sense and that the case against it, despite its assertions and claims, has not quite been completely made. Hence, the persistence of religion worldwide, despite those whom Friedrich Schleiermacher in the 19th century famously labelled its "cultured despisers." Thus, Douthat reminds his readers that while "intellectuals" may have "stopped taking mystical experiences seriously," nonetheless, "actual human beings kept on having the experiences. When Official Knowledge ruled out the supernatural, in ordinary life it kept breaking in." Moreover, the contemporary "decline of institutional religion in America has had no effect on the share of Americans who report supernatural experiences."
Al this is very edifying. Whether it can really convince is, I suspect, a question of entirely other order. Personally, I have always been satisfied with the minimal claim that religion's case cannot be falsified by modern science and have never much seen the point of pushing the argument further to the contention that somehow science specifically supports the case for religion. Such is the subjectivity of faith that I have no problem picturing someone being completely unmoved - and hence unconvinced - by Douthat's data.
Thus I personally found more interesting - and maybe also more compelling - Douthat's case for commitment, especially commitment to what he calls the "Big Religions." Revealingly, he recognizes that religions (including Douthat's own Catholicism) "are filled with people who maintain private heresies or private doubts, who feel agnostic two days out of seven - but who have made the sensible decision that it's better to live inside the tradition they consider most plausible while holding doubts than to reject any system in the name of those difficulties."
For all his public commitment to Catholicism, Douthat argues somewhat encouragingly that "if some kind of God exists and ordered the universe for human beings, then even a false or flawed religion will probably contain intimations of that reality, signposts for the discerning pilgrim, some kind of call to higher things - such that a sincere desire to find and know the truth can fail to reach truth's fullness and still find its reward."
That said, Douthat concludes with a case for his own religion of (Catholic) Christianity. He agues for the credibility of the Gospels and the uniqueness of the story of Jesus. He especially emphasizes how "the Jesus of Scripture isn't always the Savior that my native self finds relatable, the kind of God I would have invented for myself, because there is a tension between some of His hardest and most inscrutable sayings and my own personality, my natural intellectual perspective, my instincts and desires."
Anyone who seriously engages with Christianity will recognize Jesus' challenge to be otherwise than who and what one would choose on one's own as Christianity's distinctive demand. Way more than any classical apologetic argument - intellectual, historical, or even moral - that demanding challenge is the place where the search best comes to an end.
Wednesday, March 5, 2025
Emendemus in Melius
It is Lent once again. The pre-Easter penitential season starts somewhat late this year, one of the consequences of the variability of the date of Easter, which is one of the traditional features of the Christian calendar that has not yet been destroyed by modernity!
While the Council of Nicea in 325 established a 40-day period of pre-Easter fasting for the universal Church, this observance took on various forms in different localities, and it was a while before our Roman Lent reached its current length and form. Ash Wednesday was a relative latecomer to the Lenten calendar, when a concern to have exactly 40 days of fast (excluding Sundays) led to front-loading the season with an extra four days. While beginning Lent on the First Sunday (Quadragesima) might seem more liturgically traditional (and is still when Lent begins in Milan, which follows the non-Roman Ambrosian Rite), Ash Wednesday is without doubt one of the most popular and faithfully observed days in the entire Catholic calendar.
At some point, the Church began to impose ashes at the beginning of Lent on those performing public penance during Lent, who would later be reconciled to God and the Church on Holy Thursday. By the end of the First Millennium, the Order of Penitents had died out, replaced by the more modern form of individual Penance, but ashes had become so popular that everyone eventually wanted to receive them, as is still the case! The reformed post-conciliar Lent may have lost some of its zest, but Ash Wednesday has, if anything, grown in popularity
Ashes, obviously, are meant to serve as a reminder of human mortality, as well as a sign of sorrow for one’s sins and the desire for conversion. The first symbolism is reflected in the traditional formula used when imposing ashes: “Remember, you are dust, and to dust you shall return.” The second is echoed throughout the season in the scriptural texts and liturgical chants and prayers that are employed. Among these is this traditional responsory for the former Second Nocturn at Matins on the First Sunday of Lent, which begins, Emendemus in melius (Let us change for the better).
Amendment of life is, inherently, a lifelong task, which we traditionally focus on with special intensity in this Lenten season. Different times and circumstances, the life transitions we experience, and the fluctuating currents of the secular world all offer context for our Lenten penance, our amendment for better.
So what about this year?
Before his recent hospitalization, Pope Francis issued his annual Lenten Message, entitled (in the spirit of this Jubilee Year), Let us journey together in hope. The theme of journey is especially salient right now. In his message, Pope Francis recalled, our brothers and sisters who in our own day are fleeing situations of misery and violence in search of a better life for themselves and their loved ones. What Pope Francis calls A first call to conversion thus comes from the realization that all of us are pilgrims in this life; each of us is invited to stop and ask how our lives reflect this fact. Am I really on a journey, or am I standing still, not moving, either immobilized by fear and hopelessness or reluctant to move out of my comfort zone? Am I seeking ways to leave behind the occasions of sin and situations that degrade my dignity? Then, connecting with the worldwide migration crisis, which is taking such a terrible turn on our own country right now and so especially impinges upon our consciousness and on our conscience, the Pope adds: It would be a good Lenten exercise for us to compare our daily life with that of some migrant or foreigner, to learn how to sympathize with their experiences and in this way discover what God is asking of us so that we can better advance on our journey to the house of the Father. This would be a good “examination of conscience” for all of us wayfarers.
Sunday, March 2, 2025
Carnival in Time of War
The traditional name for this Sunday was Quinquagesima (approximately the 50th day before Easter). It is also commonly called Carnival Sunday, referencing the carnival (carnevale, "Goodbye to meat," in Italian), widely celebrated, especially in Catholic countries in these final days before Lent, the penitential season which begins in another three days on Ash Wednesday. Now that the Lenten fast has become virtually vestigial, so perhaps is the pre-Lent Carnival (despite its famously successful secular survival in sites like Rio and New Orleans).
By convenient coincidence, however, tonight will also be the occasion for the 97th Academy Awards, an ostentatious display of wealth and obnoxious snobbery, combined with amazingly extreme political obtuseness, but which is also yet another significant event of widespread communal festivity. Obviously, the Oscars are not the Super Bowl, which has become one of the primary remaining unifying national events in which most of the country participates together. Far fewer people watch the Oscars, apparently fewer every year. Some 20 million do watch it, however, and so it is still one of those occasions when many gather together to watch and celebrate, which we will be doing in my house tonight. The Academy Awards show may leave a lot to be desired, but movies are still an important shared component of our common culture, and "Oscar Night" remains a grand occasion for friends and families to gather, just to be together.
With so much that is going wrong (and getting worse) in the world right now at home and abroad, it seems a bit off-key to talk about partying right now. The world is still reeling in shock and dismay from the recent, grim display of the shameful behavior, unworthy of their offices, on the part of the U.S. President and Vice President toward the heroic Ukrainian warrior President, Volodymyr Zelensky. This Carnival Sunday, this Oscar Night, cannot but be overshadowed by a sense of shame and by worry about what is happening to undermine what remains of the post-war American commitment to our common civilization.
But, for better or for worse, life goes on: As it was in the days of Noah ... they were eating and drinking, marrying and giving in marriage up to the day that Noah entered the ark, and the flood came and destroyed them all (Luke 17:26-27).
Photo: Italian Carnevale Mask.