Thursday, June 18, 2026
JD Vance's Religious Journey
Wednesday, June 17, 2026
Ragtime
It seems shameful to admit it, but, although I live in midtown Manhattan I seldom go to live theater. Last fall, when my sister visited New York, it tried to get us seats for the revival of Ragtime, but it was (unsurprisingly) all sold out. As the show's run is sadly drawing to its close, however, I unexpectedly was gifted tickets as a belated birthday present from a very generous friend.
Ragtime is an almost three-hour musical based on a 1975 novel by E. L. Doctorow. Set in the early twentieth century, Ragtime tells the story of three different American groups: African Americans, represented by Coalhouse Walker Jr., a Harlem musician; upper-class suburbanites, represented by Mother, the matriarch of a white upper-class New Rochelle family; and recent immigrants from Eastern Europe, represented by Tateh, a Latvian Jewish immigrant. The three groups' stories intersect in surprising - and tragic - ways. The show also features historical figures from the era, such as Harry Houdini, Evelyn Nesbit, Booker T. Washington, and Emma Goldman, with briefer appearances by J. P. Morgan, Henry Ford, Stanford White, and Admiral Perry,. The production was nominated for eleven Tony Awards, winning four including Best Revival of a Musical. This revival is scheduled to run through August. So this was my rare chance to see it!
As I acknowledged above, despite living in this great city I seldom take advantage of its theatrical and musical opportunities. I cannot compare Ragtime with other musicals I have not seen, nor can I compare this revival with other previous productions. I can, however, testify that it is a great show, music is fantastic, and anyone who can should try to see it too!
Ragtime offers a certain snapshot of Pre-World War I America, a time of tremendous social change, America as a land of opportunity, which is also dominated by inequality and injustice. The story takes a truly tragic turn, but - like the story of America itself - it ends on a powerful note of hope and the potential for inter-racial, inter-ethnic national unity. Our present national predicament on the eve of our country's 250th birthday makes Ragtime, if anything, even more timely.
Monday, June 15, 2026
The Knicks in 5
Sports Team fandom is something very special, something somewhat unique in a world where all sorts of communal identities and associations are in decline. American professional sports are about any number of things (including most admirably the artistry and athleticism of very talented players who deserve the praise and adulation their excellence receives), but the thing that American professional sports are most about is money. American sports have become immensely profitable. According to Vivid Seats, the cheapest price for a single ticket for last Monday's Game 3 at Madison Square Garden was $3,940. The average price for a ticket was $7,683. Meanwhile, the most expensive ticket sold for approximately $65,000.
Obviously, a lot of ordinary fans are willing to splurge on sports tickets, but it is equally obvious that sports are ultimately all about profits for some and significant expense or just being priced out for the many, thus in a sense replicating the inequities at the heart of American society. In their obsession with profits and their indifference to their local fans' loyalty (remember the Brooklyn Dodges!), American sports readily replicate the deranged values of contemporary American late-capitalist society.
Yet as late-stage capitalism continues to destroy what little remains of authentic communities, somehow sports fandom survives as a vehicle for linking local communities with one another in an almost atavistic expression of pre-modern loyalty - loyalty itself being a barely surviving pre-modern virtue in today's post-modern moral desert.
Even so, the desire for community and for identification with a community bigger than one's individual self and its narrow desires. The collapse of non-self-regarding aspiration is perhaps most magically reflected in the collapse of marriage and the decline in national fertility. Superficial fandom cannot compensate for that calamitous long-term social loss, but it remains a vivid illustration of the human desire for connection. Cheering for the Knicks solves none of the inegalitarianism and deprivation Americans are experiencing and the multiple crises of our time, but it does offer at least a temporary feeling of connection (however limited and even illusory). And that experience of connection and apparent validation of local identity and loyalty serves as an oasis of festivity and joy in the oligarchic desert our 250-year old American experiment appears to have become.
So let us celebrate together, New Yorkers!
Saturday, June 13, 2026
O Sant' Antonio, Prega per Noi!
For six happy years, at the end of the last century, I served as parochial vicar at our parish in Toronto, where one of the annual highlights was the outdoor procession with the statue of Saint Anthony, accompanied by the venerable Italian hymn, O Sant' Antonio, prega per noi! (O Saint Anthony, pray for us!) Over the years, I have also had the privilege of visiting the shrines of Saint Anthony in Lisbon and Padua, celebrating Mass both where he was born and where he is buried.
Saint Anthony was born Ferdinand de Bouillon in August 15, 1195. As a teenager, he joined the Canons Regular of Saint Augustine and grew in both holiness and learning. When the remains of the first five Franciscan Martyrs of Morocco were brought home to Coimbra for burial, Ferdinand embraced a call to similar martyrdom and was received into the new Franciscan Order in 1220, with the name Anthony. He never made it to Morocco, however, and spent the rest of his life preaching zealously in Italy and southern France, for which. he came to be called the "Hammer of Heretics," while Pope Gregory IX, who canonized him less than one year after his death, would call him the "Living Ark of the Testament," thanks to his great learning and knowledge of Sacred Scripture. Anthony spent his last years in Padua and died there on June 13, 1231. When his tomb was opened in 1263, his tongue was found uncorrupted, which caused Saint Bonaventure, the Franciscans' seventh Minister General, to exclaim, O blessed tongue that never ceased to praise God and always taught others to bless him, now we plainly see how glorious you are in his sight!
A year ago, an accidental fear significantly damaged our New York church's precious statue of Saint Anthony. Thanks to exquisite and careful restoration efforts taking some 520 hours (see photo above), Saint Anthony's statue has been fully and successfully restored to be once again a vehicle for stirring up devotion and ardor among God's people - as Anthony himself did so powerfully during his lifetime so many centuries ago. This afternoon, Saint Anthony's restored statue will be unveiled and blessed in its new and more prominent location in the church. O Sant' Antonio, prega per noi!
From one of the Sermons of Saint Anthony:
Three things are required to prepare a meal: fire, oil, and food in the oil. The fire does not touch the food directly, and yet it warms, sterilizes, and cooks it. The fire is the Holy Spirit. The body is like the oil. And the soul is like the food. Just as the food is cooked by means of the oil from the heat of the fire, so the baptismal water, ignited by the Holy Spirit, when it touches the body externally, internally purges the soul from all sins. The Holy Spirit descended on Christ at his baptism in the River Jordan. He also descends on the baptismal font on each Christian, and by his power we become children of God's grace. So it was that Christ, both for himself and those baptized into him, heard the words, "This is my beloved Son."
Thursday, June 11, 2026
Tower of Light
Yesterday, Pope Leo XIV blessed the tallest of the towers of the basilica of La Sagrada Familia in Barcelona. It marked the mid-point of the Pope's historic visit to Spain, a country culturally steeped in Catholicism but which in the 20th and 21st centuries has experienced repeated and powerful assaults on that historic religious identity.
The Pope's visit began in the capital Madrid, where (after the usual formalities of reception at the Palacio Real) the Pope celebrated the feast of Corpus Christi with an outdoor Mass and traditional Eucharistic procession, attended by the King and Queen and some 1.2 million others. On Monday, he addressed the Cortes, the Spanish Parliament. Although the third Pope to visit Spain, he was the first ever to address its Parliament. At present, Spain has a socialist Prime Minister and is widely perceived as the most left-wing government in Europe, which inevitably recalls a long legacy of conflict between some 20th and 21st-century secular Spanish governments with the Church. In that challenging and problematic environment, Pope Leo spoke eloquently invoking Spain's rich Catholic history and heritage, citing Cervantes, Saint Teresa, the university of Salamanca, Francisco de Vitoria, and Miguel Unamuno, among others. To that body, he posed the basic question of any parliamentary politics: "beyond the legitimate diversity of positions, every legislative task ultimately confronts a decisive question: what conception of the human person inspires laws, and what kind of society do those laws build?" He stressed how "the moral greatness of a nation is manifested, above all, in its capacity to accompany, protect and love those lives that are most fragile."
In Barcelona yesterday, the Pope and the Spanish and Catalan peoples celebrated the centenary of the Venerable Antoni Gaudi, the architect of the basilica of la Sagrada Familia. That basilica was consecrated by Pope Benedict XVI during the last papal visit to Spain. During the Mass inside the basilica, which preceded the blessing of the newly completed central Tower of Jesus Christ, the Pope highlighted the basilica's theme of light, the light of Jesus Christ penetrating the world's darkness. And he highlighted the traditional imagery of every church building, which is itself an image of the Church itself:
This church is a single building made of many stones. A house that grows steadily over the years following a single plan. We are all the living stones of this edifice, which has Christ as its foundation and crowning glory, its beginning and end. Much more than a monument, the Basilica of the Sagrada Familia remains a work in progress today, reminding us that the Christian life is always a journey, because it is a project that God is carrying out.
We do not, therefore, dwell in an unfinished work, but in a temple still under construction. The fact that it is incomplete is not a flaw, for it bears witness to a desire; it does not signify a shortcoming, but rather expresses a promise that we wish to honor with consistency. Our gratitude thus becomes a commitment as we cooperate in God’s plan — that is, in the edification to which he himself calls us. Since we are the temple of the Holy Spirit (cf. 1 Cor 6:19), this work consists in our very lives, which God conceives as a masterpiece that we are to create together, and he calls us to collaborate with him (cf. 1 Cor 3:9).
The outdoor ceremony which followed the Mass, for the formal blessing of the tower, was one of the most beautiful rituals that could have been devised to mark this occasion and truly exemplified the power of art and the appeal of beauty in human life and in the Church's evangelizing mission. Not just the tower itself, but the entire basilica and the multitude inside and out were transformed in vehicles VI and Queenof illumination and a true tower of light in a modern expression of Spain's historic evangelizing role in the world.
Today, beginning the final segment of his journey, the Pope travels to the Canary Islands. Throughout this apostolic journey, Pope Leo has emphasized human dignity and the necessity of national and international commitment to that human dignity. That concern receives a very pointed instantiation in Leo's history, first-ever, papal trip to the Canary Islands, which centers on the very real and very current European migration crisis. Visiting some of the focal points of migration from Africa to Europe, the Pope is vividly highlighting the plight of refugees and migrants making these excessively perilous journeys. “Human dignity," the Pope insisted today, "has no passport and does not lose its value when crossing a border.”
Photo: Pope Leo XIV, with Spain's King Felipe VI and Queen Letizia, outside the Basilica of La Sagrada Familia.





