In theaters just in time for July 4, Young Washington is a new historical drama, released by Angel Studios, about the early life and preliminary military career of our future Revolutionary War commander and then first President of the U.S., George Washington (played by William Franklyn-Miller). It focuses especially on Washington's military experiences in the French and Indian War.
The film highlights the young George Washington's ambition and his frustration at the limitations of his social status in Virginia society and his consequent lack of prospects for advancement in the British army's officer corps because of his colonial origins and lack of English education. It has often been observed that, had Washington received the commission he had originally sought in the British Army, history would likely have been very different. Instead, Washington had to settle for becoming a Colonel in the Virginia militia, in recognition of his heroism in the French and Indian War after the death of General Braddock. The film focuses on his heroism and steadfastness, but also emphasizes his resentment at the British, a resentment which only grows as he experiences repeated slights because of his provincial origin and colonial status.
The film is heavy on battle scenes, which ought to cure anyone watching of any romanticized images of 18th-century warfare! In addition to highlighting his growing military prowess, however, the film portrays young Washington's personal growth, intellectually, morally, and relationally. The important part played by his older half-brother Lawrence (who teaches him that "even a pawn can take a king") in Washington's development is emphasized, as is that of his mother who teaches him to learn from failure rather than repeat it.
The film also illustrates the complexity and moral ambiguity of rival claims in colonial America. Washington's big break becomes possible because of British colonial ambitions in the Ohio territory. His military blunders on the Ohio frontier follow from the competition between the British and the French for the same land. The two great European empires were in constant conflict over territory which, of course, had until then belonged to the native Indian tribes, whose complex relationship with the settler communities is also an important part of the history and well portrayed in the film.
That Washington wanted a commission as a British officer, was denied it, and resented that is beyond question. How long-standing and deep-seated were his other feelings and expressions of colonial identity and assertiveness may be more debatable historically. Young Washington repeatedly refers to the new situation created by America and especially by the frontier (the Ohio Valley) where anyone can become someone. Ironically, Washington's greatest social advance, which is not portrayed in the film (having come after the point at which the movie's story stops) will be his advantageous marriage to a rich widow - an instance of his advancing according to the established norms of society's set patterns.
The British and American victory in the French and Indian War would create the wider world context that would make the American Revolution possible. Alongside that, the film emphasizes Washington's internal war with the stratified structures of the British Empire and his awakening to the fact that his real country was Virginia more than Great Britain, a realization that would also transform colonial American history and help create a new country.





