Monday, March 16, 2026

Hollywood's Happy Night

 


Hollywood's infamous Motion Picture Academy performed its annual celebration of itself, otherwise known as the 98th Academy Awards last evening (already dark night for those of us in the Eastern Time Zone).

Going into the evening, the big question for many was whether  Sinners or One Battle After Another would claim Best Picture. One Battle After Another (which I had seen) had already won top prizes from the Golden Globes, Diretors Guild of America, and BAFTA. Meanwhile, Sinners (which I had not seen) was setting a new record for the most Oscar nominations in a single year. It also won the Screen Actors Guild’s Best Cast award. So - something which is not always the case - there was a real clear competition for the biggest prize. If nothing else that may have created an incentive for more viewers to watch and to put up with the inevitable annual interminable boredom of the show to stay up to see which movie would win. At least it did that for me.

The declining popular audience for the Academy Awards and the Academy's desperate desire for a larger global audience may be one of the factors contributing to the decision to end the Academy's 50-year relationship with ABC and depart from broadcast TV to switch to an exclusive streaming model on YouTube in 2029. Host Conan O'Brien even tried to squeeze a comic routine out of that otherwise sad fact. While he performed creditably, I was left wondering once again whether the host is really necessary and how much quality - ias opposed to wasted precious time - he adds to the show.

The show did seem preoccupied with ending earlier - even to the point of occasionally cutting off some of the inevitable oversharing that passes for thank yous. Overly rich, overly entitled people performers and their crews and "teams" have multiple opportunities to flaunt themselves. They need not take so much of the general public's time.

In relatively good taste was the Memorial to the Fallen artists of the past year, highlighting especially Rob Reiner, Diane Keaton, and Robert Redford. I appreciated barbara Streisand's contribution.

Inevitably, much of the evening played out as a competition between the two front-running movies, as each picked up its share of awards, while some others, e.g. Frankenstein did well along the way. In that department, I was really pleased to see Irish actress Jessie Buckley win for Hamnet.

Thomas Paul Anderson got to go. up three times, which may have been a hint. Anyway, after hours of tedious preparation  One Battle After Another finally with its superstar performances and quasi-contemporary themes, won Best Picture, producing applause on my part that a film I had actually seen had won for a change.

Apart from one unfortunate Free Palestine murmur, the politics of the evening was satisfactorily subdued. Jimmy Kimmel couldn't resist poking at some unnamed Voldemort and his wife. His best - and best received - such line was his probably his taking aim at CBS, lumped into the same category as North Korea.

All in all - for all its over-written length, its unflattering acts of self-promotion, its tiresome commercials for Rolexes and pharmaceuticals, and some seriously poor outfit choices - it proved to be a surprisingly good show - unexpectedly fit for purpose within the constraints of broadcast TV. I guess that Hegel's owl of Minerva is once again taking flight at dusk!

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