Pompeii: Out of Time

 

One of the many side-benefits of the popularity of Christoper Nolan's blockbuster movie The Odyssey has been a widespread increase in interest in classics generally. For me personally, it led directly to my discovery of Mary Beard's fascinating and entertaining podcast Instant Classics. And it was on Instant Classics that I learned about Pompeii: Out of Time, a three-part documentary-drama television series recently produced for National Geographic and hosted and executive-produced by British actor (and Cambridge-trained classicist) Tom Hiddleston.

Hiddleston's series sets out to identify residents who might have escaped the disaster. Working with the "Pompeii Survivors Project," Hiddleston cross-references names inscribed on objects and buildings found in Pompeii with names that also appear elsewhere in the Roman world after the eruption (traditionally dated August 24, AD 79). He thus follows the fates of three individuals, who might have had potential to survive: Avianius, a headstrong teenager from a downwardly mobile family currently apprenticed to a bronze smith; Julia Felix, a wealthy businesswoman who owned a bathhouse on her estate; and an otherwise unidentified soldier, possibly a Praetorian Guardsman, whose belongings were recovered at the elite beach resort of Herculaneum several miles from Pompeii and even closer to Vesuvius.

In the first episode, "Tremors," Hiddleston follows some of the early signs from Vesuvius  as earthquakes disrupt the city. He follows Avianius and Julia Felix while he counts down to the beginning of the eruption. A key concept here is Hiddleston's desire to challenge the popular idea that Pompeii was destroyed without any warning, What in fact he examines is the different physical, social, and psychological pressures which contributed to each individual's eventual real-time decision to flee immediately or to delay during the appoximately 30 hours over which the tragedy transpired..

In the second episode, Hiddleston depicts the first four phases of the eruption. We watch as daylight disappears into darkness. (The fifth phase will be the final pyroclastic flows which ultiately buried the two cities intact for centuries.)  Hiddleston highlights the attempted flight from Herculaneum (dramatized as led by the Praetorian Guardsman.) As pyroclastic surges begin, hundreds will die not in Hurculaneum itself but on the beach from which they were trying to flee. He also highlights how Julia Felix tries to maneuver her household and customers away from the disaster.

In the third episode, Hiddleston uncovers possible evidence about the tragic fates of Avianius and Julia Felix, and considers what survival would have meant in practice for Pompeii's residents.

I guess it is a clever technique to bring us along following particular persons, expecting (or at least given initial reasons to hope) that they will survive. However, hoping our characters will survive only leads to disappointment when in the end most don't make it. Of course, it highlights the dramatic pathos of the event, but we already know it was a titanic catastrophe! By tracing the specific stories of particular people, Hiddleston seems to be trying to make that catastrophe come alive and its tragic character so much more personal for us as observers.

One of the three apparently did survive, however. Avianius apparently made it, although his mother did not, facts attested by a subsequent gravestone. For Avianius, survival meant moving on alone in the world. Survival too - for the few who, totally traumatized and now alone, did survive - was also tragic in its own very deep way.

My grandmother grew up in the shadow of Italy's other active volcano, Mount Etna near Catania, Sicily (which is making herself heard again as this is written!). As a child, I remember worrying that a volcano might erupt in the Bronx! There was never any danger of that, of course. But volcanoes continue to endanger our fragile human world - as Vesuvius itself may yet someday do once again! The twin traumas of massive deaths and traumatized survivors may yet continue to haunt our tragedy-burdened world.